
Yesterday was the long awaited visit to Datong, a Buddhist site built during the Northern Wei Dynasty (late 5th century). I've been reading about these caves for the last three years and was very excited to see them in person.

There are about 45 caves carved into a cliff, ranging from modest to gargantuan in terms of size. Many caves had a large central image of the Buddha with surrounding attendant deities. I think that the intended effect was one of immensity, cosmic enormity, in an attempt to convey the power of the Buddha to his devotees. Some statues were 100 feet tall, stretching from floor to ceiling! I think that you can not help but feel overwhelmed.


Datong was actually the first large scale Buddhist work in China. The Northern Wei Dynasty was Turkish in origin, and the emperor forced his own minyans to adopt Chinese culture. He did so by mandating an adoption of Chinese clothing, language, customs, and religion. Buddhism had been around China in various hybrid forms from the 2nd c. B.C., but the Northern Wei canonized it in stone.

And of course, the most interesting thing about this to me is the Indian influence. Before this site, there had been no major excavations in stone in China. That started in India many years before, along with Buddhism. Both of these were transmitted to China by travelers, monks, and merchants via the silk route and maritime routes. Datong is located at the very edge of the silk route in China, and so this kind of carving was likely transmitted via these paths. Remember those Buddhas in Bamiyan, Afghanistan, that the Taliban blew up? If you compare the two sites, you'll see the connection.

In India, many Buddhist caves were carved in order for the patron to ensure his own
dharma, or merit. Bigger size = more merit.

The other real Indian influence is the portrayal of the body. This is the most famous cave in Datong, and you can clearly see the body underneath the robes of the central Buddha. Soon after, this practice is abandoned in Chinese art.

Don't look at my shorts! Note: the red thing in my hand is an enormous visor that says I went to Tianamen square in Chinese. Lots of people have been staring and laughing. Don't hate the playa, hate the game!

This cave had a central stupa in it instead of a Buddha. This is more along the lines of what you would see in Indian caves. In all of these caves, the central image is freestanding so devotees can walk around it in prayer.

The Buddha is replicated thousands of times to show his enormity.

Lastly, we went to see a monastery from the 12th century in town. Inside were gorgeous clay sculptures of the Buddha and his followers with their original paint, although a little dusty. I loved these statues; the postures were so lively and fresh, and their facial expressions so serene.
Alright, so it's been a bit of lecture this post, but I'm practicing to be an educator, after all. And art is my special friend!